| Programm 2007 von La Rossignol |
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| Montag, 15. Januar 2007 | |
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La Rossignol
Via Solferino 105 26012 Castelleone (CR) - Italy Tel/Fax +39 0374 58442 Mobile +39 348 4416151 SKYPE - La Rossignol www.larossignol.com Profane music concerts MUSICHE DE DIVERSI AUTORI NELLE MAGNIFICHE ET EXCELLENTISSIME CORTI D'ITALIA Songs and dances for poors and kings’ feasts La Rossignol ROBERTO QUINTARELLI, contraltista, flauti; ERICA SCHERL, viella, violino antico; MATTEO PAGLIARI, flauti, traversa, cornamusa, rauschpfeifen; FRANCESCO ZUVADELLI, organo, ghironda; DOMENICO BARONIO, liuti, colascione, chitarrino The natural context of Renaissance music is the feast. It represents the auto celebration of kings’ power and magnificence, as, through the grandiosity of events, the court can celebrate the triumph of nobility and imposes on everyone’s respect and admiration: friends and enemies, ambassadors, men of culture and artists, nobles and plebeians. The feast also represents authentic popular manifestations, its sense of collective cohesion and its need of transgression. Playing early instruments which create very suggestive effects and sounds, the programme, proposed in costumes, through original Renaissance executive styles, proposes a rigouruos, but very pleasant journey in the XV and XVI centuries music composed for feasts, trying to recreate the feelings and the atmosphere which contributed to the artistic grandeur of that period
ARS MAGICA Music and magic between history and tradition La Rossignol ROBERTO QUINTARELLI, contraltista, flauti; ERICA SCHERL, viella, violino antico; MATTEO PAGLIARI, flauti, traversa, rauschpfeifen, cornamusa; FRANCESCO ZUVADELLI, organo, ghironda; DOMENICO BARONIO, oud, colascione, chitarrino Music and magic have always had very close relations, certainly beyond the meaning of the word “magic”, which generally relates to anything we can’t totally understand. Lutes and ancient guitars, hurdy gurdies and bagpipes, viellas, flutes and drums play “magical” pieces taken from ancient codes or from ethno musicological recordings to seek any ray of light on this mysterious but fascinating world.
Performances AL CANTO, AL BALLO Music and dances between XV and XVI centuries La Rossignol LILIANA BARONIO, SIMONA PASQUALI danza; ROBERTO QUINTARELLI, danza, contraltista; MATTEO PAGLIARI, flauti, traversa, rauschpfeifen; CLAUDIO DEMICHELI, spinetta, ghironda, cornamusa, flauto a tamburo; DOMENICO BARONIO, liuto, chitarrino, colascione, percussioni In the Renaissance, the art of dancing is not only an amusement, a courtship technique, but is also a refined and elegant musical and choreutical art, a real ritual of celebration of power where the main characters are the nobles, who become both actors and audience. Among the great Masters, Fabritio Caroso from Sermoneta and Cesare Negri from Milan are the most important: with their own works (real milestones in the history of dance), they have contributed to the great way of the supreme art of dancing. The performance, in costumes, with musical instruments and executive styles of that period, recreates the aristocratic and cultivated atmosphere of a noble feast at the end of XVI century.
ECHO LA PRIMAVERA Music and dances between Dante and Lorenzo il Magnifico La RossignolBRUNA GONDONI, MARCO BENDONI, LETIZIA DRADI, GIULIANO SOLDI, LILIANA BARONIO, danza; ROBERTO QUINTARELLI, contraltista, danza; ERICA SCHERL, vielle; MATTEO PAGLIARI, flauti, traversa, rauschpfeifen, bombarda; LUCIO TESTI, storte, ciaramelli; FEDELE STUCCHI, trombone da tirarsi; CLAUDIO DEMICHELI, chitarrino, ghironda, cornamusa; DOMENICO BARONIO, liuto, chitarrino, colascione“Echo la primavera” is a performance dedicated to Italian music and dance of XIV and XV centuries, when poets, painters, sculptors, musicians and dancers give birth to a new and changing society all over the country. The humanistic experience of the early Renaissance produces a refined and elegant art of dancing, which has been codified in books written by Domenico da Piacenza, Antonio Cornazano, Guglielmo Ebreo. The natural context is the “feast”, a unity of varied actions often connected to the different events in prince’s life (voyages, weddings, births, victories…): tourneys, banquets, calendar or dynastical celebration. The performance is the result of a rigorous philological work in the history of music and dance and proposes a feast where nobles celebrate the magnificence of the court and impose themselves on the admiration and on the respect of the whole world.
IN FESTA!Italian Renaissance Music and dance La Rossignol BRUNA GONDONI, MARCO BENDONI, LILIANA BARONIO, GIULIANO SOLDI, danza; ROBERTO QUINTARELLI, contralto, danza; ERICA SCHERL, viella, violino antico; MATTEO PAGLIARI, flauti, traversa, cornamusa, rauschpfeifen; LUCIO TESTI, ciaramelli, storte, bombarde; CLAUDIO DEMICHELI, spinetta, ghironda, cornamusa; DOMENICO BARONIO, liuto, chitarrino, colascione, During early XVI century, Europe, so quickly grown in geographical, cultural and historical terms, opens the way to scientific discoveries: now the Man, and no more God, is the centre of the Universe. The development of Renaissance Thought (together with the Patronage) gives birth to a period of extraordinary growth, where masterpieces follow one another in a fascinating crescendo. Magnificence get married with refinement; the desire to astonish and the research for a more and more refined kind of living force the courts to take precise rules of manners: this creates a refined, elegant choreutical art, codified into precise written forms by the Great Masters, becoming the meeting point for musicians all over Europe. The programme, realised by international specialists, in costumes, with early instruments, through songs on wine and food, early music and dances, recreates the cultivated and elegant atmosphere of a Renaissance courtly feast. For further information, curricula, photos and download, please visit our website: www.larossignol.com. FURTHER REFERNCES: Ministero degli Esteri; vari Assessorati Regionali alla cultura; Comuni di Milano, Bologna, Palermo e molti altri; Società Dante Alighieri, Roma, Sao Paulo, Siena, Benevento; Canto delle pietre e Cantar di Pietre; Italia in Giappone 2001 e 2005; Ambasciate, Consolati, Istituti italiani di cultura di Marsiglia, Berlino, Tel Aviv, Tunisi, Algeri, Cairo, Mosca, Atene, Salonicco, New Dehli, Pechino, Tokyo, Kyoto, Bucarest, Budapest, Cipro, Madrid, Barcellona, Damasco, Beirut, Rabat, Lubiana, Sofia, Malta, Istanbul, Karachi, Cracovia, Tirana, Atene, Basilea, Taipei, Shanghai, Casablanca, Mexico City, Città del Vaticano, Sydney, Camberra, Nairobi, Stoccolma… |
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